Denizen of the Dead: The Horrors of Clarendon Court

For this anthology I wanted pieces from writers who’d lived in London and understood the specifics of the situation being addressed, but at the same time I was aware that many of them had multiple commitments and therefore I was more than happy if they adapted traditional—that is to say out of copyright—horror tales. There is a range of material here some of which engages with earlier fictions in a Kathy Ackeresque way, while other pieces are wholly original.

The Mindshaft

by Steve FinbowAn extract from The Mindshaft published this year by Amphetamine Sulphate. a note on methodology It granulates, it crackles, it caresses, it…

Poet7

My art is inspired by my inner and outer world, and all those that came before me. I only wish to touch the heart of all I connect with, this is why I became a performance artist.

ongoing durational creation of sound

Many people may forget that early performances were often short videos of people in their own created spaces, often adaptable, not so much the artist formatting for a held over studio/gallery inclosure box .