The Absent Muse: the Terminal Prosthesis of Frida Kahlo and J. G. Ballard
byby Steve Finbow During my convalescence from catastrophic and invasive abdominal surgery and slowly researching material for a project on J. G. Ballard, I…
Literature
The Grammatology of Wound
byby Steve Finbow Fragments on Flesh, Language, and the Sacred Profane in Susan Fox’s The Scatological Sons and Cocks & the Apocalypse A punk…
From Gorgeous to Grotesque, The Medusa Monster as Exalted Feminine
byA Retelling of the Medusa Myth, Part I
USE ME, THEN CAST ME ASIDE. I WILL DRIFT ON THE SEA FOREVER
byOn Earth, the only true method of disposal is decomposition, the dissolution of something dead and putrid into its smallest bioavailable parts. But what about that which can not decompose?
Creatrix Pod 10: “With Friends” featuring Taylor Le Melle
byEpisode ten marks the finale of season one with our interviewer Habib William Kherbek who curated this season’s interviewees. Our guest this week is…
Creatrix Pod 9: True Southwest with Madeleine Watts
byThis is episode 9 of Creatrix Pod! In this episode, we are thrilled to feature the skilled prose stylist Madeleine Watts, a multi-faceted writer…
Creatrix Pod 5 – An Internet Word with Lauren Oyler
byThis week, we are thrilled to host Lauren Oyler, one of the most influential young literary critics of her generation. Lauren’s writings have garnered…
THE TURN. EBBED TIDE BY BYZANTIA HARLOW
byPart Four of the serialized novella Ebbed Tide by Byzantia Harlow PART ONE In the distance, a shard of light sweeps through the night. Signalling a warning…