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claire zakiewicz

Venice Biennale Diary May 28

Today Eileen Haring Woods, an artist from New York living in Suffolk, England, is showing her two-screen video piece I Look To You at the exhibition Alive in the Universe, at the Palazzo Pesaro Parafava, Venice. I head over there under an umbrella before opening up my gallery. I’m very glad to have made that effort. It’s a beautiful 15-minute work that evokes a sense of contemplation on the theme of interconnectedness.

Venice Biennale Diary May 27

Today I am preparing for the arrival of a friend and colleague who is a prominent performance artist and curator from New York, Hector Canonge, who is arriving in Venice to perform a piece created especially for my off-site project titled SOMAGRAPHIKA

VENICE BIENNALE DIARY MAY 26

The Conservatorio di Musica has an outdoor courtyard that is perfect for contemporary art performances. This year contemporary classical music fills the outside and inside spaces. It is an exhibition that presents work by nine contemporary Iranian artists. The artists were selected for the affinity with openness, respect and human interconnectedness that is evinced in their work and this theme is in line with the zeitgeist running through the Biennale this year.

VENICE BIENNALE DIARY MAY 25

I have been asking: What is failure? How does failure relate to imperfection? We often think of failure as the opposite of success, however, in many ways, failure can be associated with eliminating expectation or a state of not ‘consciously’ aiming for pure perfection.

VENICE BIENNALE DIARY MAY 24

At the moment Laura has a solo project called NEU MA that researches the body as an instrument and the breath as control. She says, ‘The main interest of this research is to connect the physical manifestations to new technologies, transforming the performer into a complex interactive tool.”

VENICE BIENNALE DIARY MAY 23

Anita and I made plans to create a book with the drawings using handcrafted book-binding methods. Today we work to complete this book. She shows me a bookbinding book which explains how to bind with bird feathers and other such things.

VENICE BIENNALE DIARY MAY 22

Improvised gestural forms have a visible sense of spontaneity, balance, symmetry, and flow. They feel very different to self-conscious and perfected ones. The difference is difficult to describe but I think it is the same difference between a self-conscious actor compared with somebody acting with their attention outside of themselves. Drawn marks reveal a state of mind.

Juno Diary prologue

As a civilization we have erased the cult of the creatrix, and denied women the role of cultural producers (…). The Capitalist system adds yet another layer of enslavement, with its absurd expectations of productivity, pink taxes, beauty and fashion industries, glass ceiling, gender gap, and in the US, a complete lack of free or affordable childcare, not to mention issues that arise from the economy of huge disparities and production towards destruction of humanitarian values and the environment.