Divya Balivada
byI often return to the concept of Saṃsāra, a Sanskrit word referring to the endless cycle of birth, death, and rebirth, marked by suffering…
Storytelling
USE ME, THEN CAST ME ASIDE. I WILL DRIFT ON THE SEA FOREVER
byOn Earth, the only true method of disposal is decomposition, the dissolution of something dead and putrid into its smallest bioavailable parts. But what about that which can not decompose?
Zjolie’s Dark Secret Music Video Transcends Homage, Creating a Prequel to The Craft that Gives Rachel True’s Character a Backstory
byZjolie’s video sets Rochelle’s childhood in the Miami of the late 70’s, a steamy subtropical city steeped in the West African and Yoruba traditions that lie at the heart of Cuban and Caribbean Spirituality.
Creatrix Pod 10: “With Friends” featuring Taylor Le Melle
byEpisode ten marks the finale of season one with our interviewer Habib William Kherbek who curated this season’s interviewees. Our guest this week is…
Creatrix Pod 9: True Southwest with Madeleine Watts
byThis is episode 9 of Creatrix Pod! In this episode, we are thrilled to feature the skilled prose stylist Madeleine Watts, a multi-faceted writer…
m(OTHER): a multidisciplinary exploration of stepmotherhood on view at ChaShaMa Space for Artists
by“We are allowed to edit what does not serve us. We are allowed boundaries. We are allowed. We need to allow ourselves to be.
Overall, I want to express that raising children, biological or not, is important and the urgency for generational change has never been needed more. Let’s reintroduce the village.”
-Blakelee Pieroni
The Gay Gatsby: A Playlist of Every Song from the 1978 Novel, Dancer from the Dance
by“Yes,” he said, turning to Malone, “that is all that’s left when love has gone. Dancing,” he said, indicating with a wave of his hand the stacks of tapes and records in another corner of the room.
“There is no love in this city,” he said, looking down at Malone with a cool expression, “only discotheques–and they too are going fast, under the relentless pressure of capitalist exploitation.”
The Witches of Fire Island:
The Prenup
by
“But NOT before I dip my pussy in the ocean!”